DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are frequently yearning romantics, with this particular change: Buster would seem a plausible mate, plus the Tramp rarely appears to possess a libido, only idealized notions. If their comedies were manufactured in a far more liberated time, it can be done to imagine Keaton in bed with a girl, but disquieting to think about the Tramp like a sex